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If it's possible, remove all that prior knowledge and screen memories that defined your childhood. And not just in terms of conjuring images of the often fantastical scenes these tracks scored (Jurassic Park, Star Wars: A New Hope, Superman, Indiana Jones & The Raiders of the Lost Ark). Even if it meant also biting the bullet and jumping on a plane, mask on, of course, to get to where they were performing.įirst released just a few months later, days ahead of the film composing legend's 90th birthday, the recording is absolutely mesmerising and transportive. In fact, scratch that, they would be the only option. Written by vocalist/bass guitarist Andy McCluskey, it addresses the atomic bombing of Hiroshima by the. ' Enola Gay ' is an anti-war song by the British synth-pop band Orchestral Manoeuvres in the Dark (OMD), and the only single taken from their 1980 album Organisation. Review: Let's put it like this, if you were going to buy a ticket for a your first classical concert since pandemic lockdowns began to open up, you can bet your last Euro John Williams and The Berliner Philharmoniker would be a tempting option. Enola Gay (song) Cover of the original 7' single, designed by Peter Saville. Sure, quintessentially 1970s funk-disco pieces like 'On The Streets' were made to be a pimp's walk-in theme, and the slick strings and groove of 'Meeting In The Park' is ideal for covert cop sequences, but the standout moments here are where classical meets Hellenic, and they really do shine. Simply put, this is the perfect example of how circumstance and context define our emotional response to music. The story of a hard but fair cop, the eponymous hero who takes on the New York Police Department's legions of corrupt officers in order to clean things up, that ruthless backdrop isn't exactly the image conjured by arrangements like 'Shoe Shop', which sounds like you're strolling through Central Park falling in love with a jazz trumpet.
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It's probably quite important to watch the 1973 movie Serpico in order to fully understand the moods Greek composer Mikis Theodorakis was thinking of when he wrote this accompanying score. Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition*** You can't touch a classic, of course, but what the actual movie lacked in originality the music more than compensates for, taking what was already an unsettling and chilling aural experience and modernising without fundamentally changing. Spurious point made, this latest addition to JC's musical oeuvre sees him team up with offspring Cody - a musician and composer in his own right - and long-time collaborator Daniel Davies for the score to the most recent reboot in the Halloween franchise.
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A titan of horror, science fiction, and fantasy filmmaking who overcame early critical smiting to garner first a global cult following and more latterly reappraisal and recognition from the cinematic institution, while the reality of having this cultural powerhouse as a parent probably isn't along these lines, we like to think childhood was one long creative play session where imagination was only held back by the need to sleep. Review: Before we get into it, let's just stop to consider what it must be like to be John Carpenter' son.